求婚大作战特别篇

　　五代十國是一個神秘、紛爭、奇人奇事不斷的年代。瘋狂的周世宗自以為天下第一，但是病總是不能根治。皇后、宰相和其他臣子尋訪天下第一名醫張伯謹，其人醫病不按牌理出牌，他要求天下第一名畫的華陀再世圖為酬，結果天下第一畫卻想尋得天下第一美女以摹擬其相貌完成壁畫。第一美女卻要天下第一美玉....

　　沈志强是中年装修公司老板，在大陆有妻名云，因想朝夕相见故申请她来港定居。可是他又怕云被人抢走，把她强留家中。云叫契妹红到家中陪伴，后来强准许红带云上街。红带云悉心装扮，偶遇朗，朗被吸引。回家后强见云装束忽然狂性大发，自此对云时粗暴时温柔。云经不起红游说到酒吧散心，再遇朗，逐渐与他搭上。云终不能忍受强的暴虐，决定与他分开，在混乱中把他杀死，带强的钱逃跑。原来红与朗是情侣，揶揄强的财富，使云陷于万劫不复之地。

　　GoodBye presents a heart-warming story about life, family and relationships.

　　Amid picturesque red dirt, blue sky, and green agave fields stands Dos Estaciones, a once-majestic tequila factory struggling to stay afloat. At the helm of the plant reigns Maria Garcia, heir to the family business and beacon to the townspeople she employs. To help oversee the company’s administration, Maria appoints an eager woman named Rafaela, whose vibrant presence generates much-needed hope in a home thirsty for a miracle. When a persistent plague and an unexpected flood cause irreversible damage, Maria is forced to do everything she can to save her community’s main source of economy and pride.

　　Ten years after a tidal wave destroys a small-town elementary school with all the children inside, a young man builds a mysterious structure out of the school's remains, setting the town aflame with passions long forgotten.

　　Appropriately, her own 14th arrondissement (specifically Rue Daguerre) is a source of pleasure for the protagonist (Jasmine Thiré) and viewer, having been photographed carefully, beautifully, and lovingly. The first word that this all brought to mind way “playful,” and I’m pleased that my simple descriptor is something Varda would consider appropriate. Says her, “It’s playing a game with reality. The game is called cinema.”

　　A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”

　　街头歌手嘉朗一直怀着去台湾环岛骑行的梦想。他经朋友介绍认识了来自台湾的女孩贝贝。两人发展成为男女朋友后，嘉朗却发现，贝贝的身份并不如他所想的一样。

　　A young man learns how to come to terms with his disability after becoming paralyzed in a hiking accident.

　　陀思妥耶夫斯基的文学名著曾多次搬上银幕，本版把它搬到当今的赫尔辛基。主角是一个曾经学过法律的屠宰场工人（跟咱们的北大肉店老板似的），三年前女友被车撞死，司机逃逸。如今，他发现了肇事者，并将他杀死。有一个女子知道他的杀人真相和他的身份，但并没有告发他，而是跟他陷入一桩没有前途的恋爱关系...
　　作为文学片，本片并不忠实，但它逼真地再现了原作的压抑和阴郁，人物刻画很少感情色彩，很多细枝末节被舍弃，只留下主要人物的眼神和动作，堪称简约主义风格之作。《罪与罚》有1935年的美国版，总体水准不高，但不乏新意；1958年的法国版把剧情搬到了巴黎，后改名《最危险的罪》；1959年的美国新版也作了更新，讲一个学法律的学生涉入抢劫谋杀等罪案。1969年的苏联版长达3小时20分钟，更贴近原著；2002年的英国电视剧版是另一个以忠实再现见长的版本。--正太猫