年轻气盛的墨西哥厨师佩德罗(劳尔·布里奥内斯 饰)怀揣梦想来到了纽约的一家餐厅工作,却成了麻烦制造者。佩德罗爱上了女服务员朱莉娅(鲁妮·玛拉 饰),却因为被指控偷钱给朱莉娅堕胎,面临失业危机。佩德罗在异国他乡的追梦之旅被迫中断,一切开始朝着不可收拾的地步发展。
一架某国总统乘坐的专机在太平洋上空飞行,几个小时后,这架飞机将会遭遇一次令人匪夷所思的劫持……飞机上的人并不知道,他们其实是一部电影的一部分……
该片故事讲述一名变态杀手(克里斯托弗·阿波特 饰)计划在酒店招妓(米娅·华希科沃斯卡 饰),并将其谋杀。然而他计划却失败了。
礼(长泽雅美饰)听了健(山下智久饰)的表白,从与多田(藤木直人饰)正在进行的婚礼中落跑,转眼又过了一年。两人虽然都很了解对方的心思,但却始终无法迈出新的一步。 这期间,绘里(荣仓奈奈)和小鹤(滨田岳饰)决定在夏威夷举行婚礼,健,礼还有干雄(平冈佑太饰)都来到了海边的教堂 。但众人发现新娘去向不明,绘里只留下了一张字条,上面写道“我不明白小鹤的心意”。 久未谋面的妖精(三上博史饰)再次出现,他决定再给健一次回到过去的机会。健要拯救小鹤与绘里的婚礼,更要面对自己的内心,追求与礼的幸福。健再次念出咒语“哈利路亚,chance。”
生活在儿童之家的露,与突然到访的母亲共同踏上了前往波兰外祖母家的旅程,久未谋面的母女将如何度过这段时光?这是一部充满反叛精神的女性公路电影,由荷兰导演扎拉·德温格自编自导,她不仅在主题上解构了传统观念中的母女关系,还在主线故事中跳跃式地剪入大量经典黑白电影与卡通片段,营造出诙谐顽皮的游戏感。片中不少镜头场景致敬了观众耳熟能详的经典好莱坞公路片,能让几代影迷会心一笑。入围2023年柏林国际电影节新生代儿童单元。
《杀手卡利》是一部拍摄于2016年的小成本犯罪题材电影,由《美国重案》的理查德·卡布莱与《火线警探》的瑞恩·多西联合主演。
杰森(亚历克斯·撒克逊 Alex Saxon 饰)在父亲管理的学校费城丹宁顿预备学院里就读,某日,学校里组织学生们前往美国造币厂参观,哪知道在参观的过程中,一群警察冲了进来,带走了杰森的父亲,他的罪名是贪污公款一千万美元。杰森父亲的失职导致学校的资金链断裂,随时面临着倒闭的命运,杰森也因此遭到了同学们的百般诟病和刁难。 爱丽丝(亚利希斯·扎尔 Alexis G. Zall 饰)是技术高超的黑客,在参观造币厂的过程中,聪敏的她发现这家工厂的安保系统非常的薄弱,为了挽救学校,爱丽丝找到了杰森,希望他能够和自己合作,洗劫造币厂,当然,这个行动还需要其他的帮手,于是,妲科塔(萨莎·皮特丝 Sasha Pieterse 饰)和班尼(杰·沃克 Jay Walker 饰)也入伙了。
在关东大地震的 5 天后(1923/9/6),千叶县福田村就发生了集体杀害日本人的事件。 当时有 15 名从四国香川县前往关东的药商,途中行经福田村,在渡船场附近的神社稍微休息,准备搭船去茨城县。 这群来自香川的商人说的方言(讃岐弁)和福田村不同,正好福田村又陷入「担心被朝鲜人攻击」的集体恐慌状态,100 名以上的村民全副武装要猎巫,斩钉截铁认定这15 名来自香川的商人是朝鲜人,杀害了其中9 人,受害者包括3 名幼儿和1 名孕妇。
1982年,英国。一位年轻有抱负的日英混血作家准备书写其母亲——1952年,英国。战后移英的日本妇人悦子,因长女自杀而忆起在长崎的最后一段时光。悦子与妇人幸子相遇,幸子也准备和女儿出国,对新生活翘首以待。然而,作家在拼凑线索及母亲的记忆碎片时,渐渐发现母亲的记忆与现实相左.…..石川庆改编诺贝尔文学奖得主石黑一雄早年同名原著,双线刻划战后女性挣扎求存之境,表面平静实质波澜不休,折射出大时代下压抑而沉重的集体记忆与痛苦。
A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
芥子(余男 饰)与丈夫钟桥北(南宫珉 饰)是一对年轻的成功人士,某夜家中发生抢劫,身为丈夫的钟桥北没能保护妻子,从此平静的生活被打破。
A miracle independent film capturing the growth of a single baby over a period of 3 years. The film revolves around three struggling actors Michio, Gunji, and Enoken, who share a house together. One day, they find a baby girl left with a letter from Michio's ex-girlfriend. They name the child "Don-chan" and embark on the journey of raising her, despite their initial confusion. Directed by OKITA Shuichi, known for films such as "A Story of Yonosuke” and “The Fish Tale”, the movie is a self-produced project featuring OKITA and his actor friends, documenting the life of his own daughter from 6 months to 3 and a half years old. Shot entirely with a handheld camera, the film captures the heartwarming moments of Don-chan's growth and the challenges faced by the three men in nurturing her. The film was also shot on location in Ueda City, Nagano Prefecture, where Ueda Eigeki, a local theater, recommends the movie. Don-chan's growth is complimented along with the picturesque scenery of Bessho Onsen and Sugadaira Kogen. The heartwarming world of OKITA Shuichi, where drama and reality coexist in a mysterious harmony, unfolds throughout the film. From a crying infant, Don-chan grows to a point where she can speak her lines, and everyone's affectionate watch over her brings warmth and comfort to the viewers.