在关东大地震的 5 天后（1923/9/6），千叶县福田村就发生了集体杀害日本人的事件。 当时有 15 名从四国香川县前往关东的药商，途中行经福田村，在渡船场附近的神社稍微休息，准备搭船去茨城县。 这群来自香川的商人说的方言（讃岐弁）和福田村不同，正好福田村又陷入「担心被朝鲜人攻击」的集体恐慌状态，100 名以上的村民全副武装要猎巫，斩钉截铁认定这15 名来自香川的商人是朝鲜人，杀害了其中9 人，受害者包括3 名幼儿和1 名孕妇。
该片故事讲述一名变态杀手（克里斯托弗·阿波特 饰）计划在酒店招妓（米娅·华希科沃斯卡 饰），并将其谋杀。然而他计划却失败了。
13岁少女的阿尔法从学校回到家后手臂出现纹身，母亲惊恐不已，试图掩盖她的身体变化。随着身体逐渐发生变化，阿尔法的感官变得敏锐，行为愈发难以控制。她在夜晚游荡，仿佛被某种本能驱使，逐渐被周围人视为异类。母女关系也在恐惧与隐瞒中濒临崩溃。一次突发事件迫使阿尔法逃离熟悉生活，踏上一段未知旅程。在逃避与觉醒之间，她必须作出选择。
唐初，太子李建成亲随石彦生（吴兴国饰）与秦王李世民旗下大将霍达（张丰毅饰）交好，二人于郊祭狩猎时邂逅公主红萼（陈冲饰），红萼风情万种，自此在石彦生心中留下印迹。不久玄武门之变事发，石彦生早由霍达处得知消息，却无力改变局势。
太子被杀，石彦生为保石家清白，立誓绝不侍大唐，与五名下属剃度为僧，隐居寺庙，伺机起兵反对秦王。不久红萼到访，一行人在山下的繁华世界流连，始知大势已去，天下太平。一行人在归途中被官军截杀，红萼死于刀下，石彦生万念俱灰，寻至一处破庙，得孤老僧人（李名炀饰）收留，但石彦生终日只被往事纠缠，心苦不得脱。未几，一名酷似红萼的女子在庙中削发为尼，再次将石牵回记忆的羁绊。
生活在儿童之家的露，与突然到访的母亲共同踏上了前往波兰外祖母家的旅程，久未谋面的母女将如何度过这段时光？这是一部充满反叛精神的女性公路电影，由荷兰导演扎拉·德温格自编自导，她不仅在主题上解构了传统观念中的母女关系，还在主线故事中跳跃式地剪入大量经典黑白电影与卡通片段，营造出诙谐顽皮的游戏感。片中不少镜头场景致敬了观众耳熟能详的经典好莱坞公路片，能让几代影迷会心一笑。入围2023年柏林国际电影节新生代儿童单元。
福原秀次（手越祐也饰）是善良内向的男孩，他同成绩优秀的哥哥秀一（柄本佑饰）还有父母过着平静的生活。有一天，秀次在骑车途中自行车坏了，幸好有黑社会分子鬼KEN（寺岛进饰）及其情妇茜（中谷美纪饰）的帮助。几天后，鬼KEN突然死了，秀次受到了冲击。 几年后，上了高中的秀次认识了女孩南波惠利（韩英惠饰），惠利因父母自杀而成为孤儿，寄养在叔父家，他们经常出入教会。秀一对教父宫原雄一（丰川悦司饰）产生好奇，教父在他的询问下说出了自己让弟弟成为杀人犯，一段他不愿意接受的过去。 后来哥哥秀一因作弊而停学，甚至成为纵火事件的嫌疑犯而被捕，家庭开始出现问题，周围环境也产生变化。秀次必须通过快速的奔跑来赶上生命的脚步……
Set in 19th century Imperial Russia, the story revolves around a retired army veteran who makes a good living by settling duels for aristocrats, a common practice of the era.
Amiko isn’t like other children. Her endless energy and curious eccentricities make her an outcast at school and get her in trouble at home. When a painful family loss disrupts her seemingly idyllic seaside life, her sense of isolation intensifies, yet it doesn’t stop Amiko from inviting people into her world. Morii Yusuke’s directorial debut is a confident and compassionate story about a child’s imagination. The film balances sorrow with joy and harsh lessons with naive delight – much like growing up. Crucially, Amiko never forgets who is at the centre of the story. The wry humour and detailed compositions of small-town Japan, as well as the film’s hopeful tenor, are reminiscent of Ogigami Naoko or Hirokazu Kore-eda’s works. The gentle and languorous atmosphere is enriched by a score from upcoming folk star Ichiko Aoba. Kana Osawa delivers an exquisite, force-of-nature performance as young Amiko. Effortlessly natural, her commanding presence and vitality carry great weight whilst ensuring the film never falls into despair. Amiko’s unbeaten spirit in the face of tired adults and uncooperative classmates lets us go through the pain, as well as experience flashes of mischievous whimsy, alongside a spiriting musical sequence that will ensure you’ll never listen to a conga drum the same way.
Ten years after a tidal wave destroys a small-town elementary school with all the children inside, a young man builds a mysterious structure out of the school's remains, setting the town aflame with passions long forgotten.
东京一隅的某处民宅，一直住院治疗的男主人村井不二男（仲代达矢 饰）在儿子义男（北村一辉 饰）的陪伴下回到家中。此前不二男被诊断罹患癌症，医生告诫他仅有不到三个月的余生。老人闻听此言不顾儿子的苦劝，执意出院回家。这一天是亡妻良子（大森晓美 饰）的忌日，他久久凝视妻子的照片，心中百感交集。义男因失业患上抑郁症，此后和老婆智子（寺岛忍 饰）的婚姻也亮起红灯。一路坎坷的他渴望重整旗鼓，却又不得不腆着脸靠父亲的养老金度日。次日一早，不二男将自己关在房间中，并用木板将房门钉死。他拒绝儿子提供的饮食，只希望陪伴着妻子安静死去，并用养老金为儿子提供最后的帮助。 东日本大地震的噩梦与村井家的遭遇，一同构成了血泪交加的日本的悲剧……
A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
少年棒球队国手出身的布店老板阿隆（侯孝贤饰），他和阿贞是青梅竹马。阿贞（蔡琴饰）是某企业的高级助理员工，她总是期想着能够尽快结婚移民美国，改变目前的生活处境，向往着美好未来。阿隆乐于帮助别人，像开出租车的少棒朋友阿钦（吴念真饰）等等。他有着浓郁的怀旧情结，常去棒球场边观看。 面对周围激烈变化的社会，阿隆和阿贞交往的是不同人群，彼此不可避免地渐有远离，感情出现了裂缝。后来，阿隆被爱慕阿贞的一个年轻人刺伤，独自坐在路边等待。逐渐昏迷中，他仿佛重新看见了参加少棒比赛的记忆画面。
